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© Robin Kelly 1997 - 2003
Film is where the format is most important. That doesn't mean that readers will be measuring your margins to the millimetre but it's got to look roughly right. The trend at the moment is for clean reads with as least ink as possible on a page. So cut-to, more and continued - whether for scenes or dialogue - are no longer needed.
John August said in his IMDB column:
"In talking about presentation, I'm forced to fall back on my ugly person/beautiful person analogy. Sure, a bad script can be perfectly formatted, and a good script can look crappy, just as an ugly person can wear beautiful clothes and a supermodel can wear rags. But would you recognize Cindy Crawford in a potato sack with muddy hair?
If your script looks bad or is difficult to read, no one will bother to try.
Proper formatting is the least important aspect of a screenplay. But it's also the easiest by far. Any moron can format a script. So if your script is badly formatted, you're a sub-moron. A caveman. A troglodyte. Or at the least, a very lazy writer who doesn't take his craft seriously.
In terms of spelling and other mistakes, one or two typos won't kill you. But a typo on every other page will put you right back in sub-moron category. So you owe it to yourself and your readers to have someone proofread what you write."
Harsh but fair.
In this format a screenplay equals a page a minute. Dialogue is about 30 seconds a page and action is about two minutes a page so it balances itself out in a typical script.
The font should be in Courier and 12. Courier New isn't an adequate substitute. Courier is a fixed width font so it helps to make the page count a good measure of the screen time - even if there are prettier fonts available. If you haven't got Courier on your system get one from here.
These are links to other formatting guides:
Nicholl Fellowship - Notes on formatting
David Trottier - The New Spec Style
Wordplay - Column 23. Points for style.
Creative Screenwriting - The Architecture Of The Contemporary Script Page